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#Work song nat adderley reverb lp how to#

When we were recording The Other Side of Life I linked up with Henry Kwapis who is an excellent drummer, and he asked me for a reference so he would know how to play on this record, I sent him this song and I think he fucking nailed it. This song comes from the album Explorations and I absolutely love the drumming on this album. I want to focus on drummer Paul Motian here. In my own music I keep my vocals pretty flat as a creative decision, and I have no doubt that Baker could have totally let loose if he wanted to, but he chose not to and I love him for it.īill Evans Trio – Elsa: I mean what else can you say about Bill Evans that hasn’t already been said? So I won’t say anything. Don’t get me wrong, I love crooners who go all out, but again this goes back to my love of an artist performing in an understated way. If you’ve heard Beach Fossils you already know I’m a sucker for reverb… and it sounds so fucking nice on a saxophone.Ĭhet Baker – It’s Always You: Chet Baker is one of my favorite singers, he rarely uses vibrato with his vocals, and when he does it’s very tasteful and subtle. Also the reverb on this track is gorgeous. But please don’t fuck with heroin, that shit will ruin you.īen Webster, Oscar Peterson – When Your Lover Has Gone: This is the second track on this playlist with Oscar Peterson, I’m a big fan, Peterson is one of my favorite pianists and Ben Webster is a genius. You can reach serene heights with music and can do it all you like, that’s the beauty of music. We’re all searching for some type of beauty in the world. Many years ago, a friend of mine was trying to kick heroin told me, “You know all of that jazz music you listen to? How beautiful it is? Heroin makes me feel like how that music sounds.” Drugs are an escape, and music is an escape. Not unlike a lot of other jazz musicians, Mobley struggled with heroin addiction and later on homelessness. Hank Mobley – Darn That Dream: Hank Mobley should have been a household name. Again, understated playing going on here. He’s taken this Gershwin classic and make it supremely mellow and gorgeous. I mean the album that this is from is called At Ease With Coleman Hawkins. I can listen to his playing all day and not get tired of it.Ĭoleman Hawkins – For You, For Me, Forever More: Well, something you’re gonna notice quickly about my selections, these are all songs you can melt into your couch listening to. Young’s never trying to wow you with his technical abilities, I think that’s something most of my favorite artists have in common, keeping it understated. Lester Young, Oscar Peterson Trio – Stardust: Lester Young is my favorite saxophonist of all time, his playing was just so unbelievably cool and relaxed. Payseur‘s playlist, along with notes on his selections, below.

As such, we caught up with Payseur to discuss these influences, and how their work plays into the vibe of the new album. A stylistic turn, this latest work grew out of the artist’s love for Lester Young, Chet Baker, Bill Evans and Coleman Hawkins – specifically their ballads. For this installment of Diversions we caught up with Beach Fossils’ Dustin Payseur on the heels of his project’s new lp, The Other Side of Life: Piano Ballads.

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From the brush with anguish articulated in Almost Lost You (highlighted by the recurring observation, 'You can't calculate what loss will cost you') and the variation on the melancholy atmosphere of Debbie Gibson's Lost In Your Eyes found in Don't Send Me Home (underscored sublimely via a guest vocal from his wife, Jeanne) to the Jack Blanchard and Misty Morgan resolve of No Longer The Ingenue (via Susan Hayward's Helen Lawson character in Jackie Susann's Valley Of The Dolls, punctuated succinctly with the judicious incorporation of the word 'crap' in much the same fashion invoked by Reverend Brad Powell of Plymouth, Michigan's NorthRidge Church upon occasion to underscore the most salient points of a given observation) and the reality check of Isn't Anyone Free Anymore (and its classic everyman tag line, 'Did God pull a fast one and make me the last one?'), Gari has once again proven himself to be a tunesmith with a most unique vision. From there, Expose Yourself glides with seeming effortlessness from one stand alone epic to another.